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The project is developed by lead researcher Marco Alfaro and researcher Abdelaziz Awad, who built the AI-driven motion and diffusion pipeline behind the interactive system.",{"data":588,"content":589,"nodeType":237},{},[590],{"data":591,"marks":592,"value":593,"nodeType":236},{},[],"Artistic direction is provided by Tim Fu, Saina Abdollahzadeh, and Rada Daleva, shaping the studio’s creative vision, narrative and spatial expertise.",{"data":595,"content":596,"nodeType":237},{},[597],{"data":598,"marks":599,"value":600,"nodeType":236},{},[],"Together, the team brings a multidisciplinary perspective combining art, code, and form, reimagining how cities and people can co-author space in real time.",{"data":602,"content":603,"nodeType":237},{},[604],{"data":605,"marks":606,"value":607,"nodeType":236},{},[],"\n",{"data":609,"content":610,"nodeType":238},{},[611,618,625,632],{"data":612,"content":613,"nodeType":237},{},[614],{"data":615,"marks":616,"value":617,"nodeType":236},{},[],"Tim 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Two of these are carved by industrial robot arms using 3D scans of Chinese scholar stones. Visitors can interactively experience the garden by using a mobile app to view superimposed, digitally scanned landscapes of Hong Kong, creating an augmented reality experience. At the centre of this work is the question of what is tangible and intangible in our urban environments, what is man-made and what is natural, physically and virtually represented by spatial constructs that create interfaces and relationships between them, blur boundaries of the interstices and enable transient moments of wonder through interaction with visitors.",{"data":1642,"content":1643,"nodeType":238},{},[1644],{"data":1645,"content":1646,"nodeType":237},{},[1647],{"data":1648,"marks":1649,"value":1650,"nodeType":236},{},[],"《臨界之園》以空間中的實體三維線條構築框架，作為現實與虛擬相遇的場域，並與由天然石灰岩組成的山形地貌形成對比。這些地貌以中國供石的三維掃描數據，透過工業機械臂雕刻而成。觀眾可透過手機應用程式，互動式地欣賞園景，觀看融疊於現場的數碼掃描山水，從而創造增擴實境的體驗。這件作品的核心，是探問在我們的城市環境中，何者為可觸知、何者為不可觸知；何者為人造、何者為天然。其物理與虛擬形態，透過空間結構將二者並置，建立彼此的界面與關係，模糊臨界地帶的邊界，並透過與觀者的互動，創造稍縱即逝的奇妙時刻。",{"en-US":1652,"zh-Hant":1669},{"data":1653,"content":1654,"nodeType":238},{},[1655,1662],{"data":1656,"content":1657,"nodeType":237},{},[1658],{"data":1659,"marks":1660,"value":1661,"nodeType":236},{},[],"Anneli Giencke is a registered architect, founder/director of her own practice, and Adjunct Assistant Professor at the University of Hong Kong's Faculty of Architecture. With over twenty years of practical and over ten years of academic experience internationally (Europe/Asia), she has realized buildings, installations, and interdisciplinary projects. Her teaching and research challenge our understanding of architecture by experimenting with immaterial spatial aspects and representational methods. Her work is published in books like \"Tectonics\" and journals including SpringerNature's Nexus Network Journal and Cubic Journal. Giencke studied at Graz University of Technology and holds degrees from Munich's Academy of Fine Arts, UCL Bartlett and Westminster University. She is currently a PhD candidate and will complete her studies at RMIT this year with a full scholarship. Her research interests focus on spatial and experiential interfaces between sensual experience and physical encounters in architecture.",{"data":1663,"content":1664,"nodeType":237},{},[1665],{"data":1666,"marks":1667,"value":1668,"nodeType":236},{},[],"Tobias Klein (簡鳴謙), trained architect and artist, is Associate Professor at City University of Hong Kong's School of Creative Media. His work merges CAD/CAM technologies with cultural narratives, intuitive design, and historical references. Klein established the concept of \"Digital Craft,\" synthesizing digital and physical tools/materials as both poetic (Poïesis) and technical (Technê) expressions, challenging the traditional separation of digital and analogue making. His internationally exhibited work features in venues like the London Science Museum, V&A, Venice Biennale, Ars Electronica, MoCA Taipei, and Art Basel Hong Kong. A 2020 UMAG Hong Kong retrospective, \"Metamorphosis or Confrontation,\" showcased 15 years of his work. Klein holds a PhD (RMIT), architecture degrees from UCL Bartlett and RWTH Aachen, and previously taught at the AA and RCA in London.",{"data":1670,"content":1671,"nodeType":238},{},[1672],{"data":1673,"content":1674,"nodeType":237},{},[1675],{"data":1676,"marks":1677,"value":1678,"nodeType":236},{},[],"Anneli Giencke是一名註冊建築師，Anneli Giencke Architect 建築事務所的創辦人及總監，並於香港大學建築學院擔任兼任助理教授。她擁有超過二十年的專業實踐經驗，以及十多年的學術與教學經驗，曾於歐洲及亞洲從事國際性工作與教學，完成多座建築、臨時裝置及跨領域項目。Tobias Klein作品融合了當代 CAD/CAM 科技與場域及文化特定的設計敘事、直覺式非線性設計過程，以及歷史文化引用。他透過作品與著述提出「數位工藝」的概念，將數位與實體材料及工具作為詩性（Poïesis）與技藝（Technê）的運作綜合，反對數位流程與手作材料理解的傳統二元分隔。\n\n她的教學與研究興趣緊密相連，透過探索空間的非物質層面，挑戰我們對建築的理解，藉由改變感知的構架，創造具體且嶄新的前衛建築願景。她的作品曾刊載於 Black Dog Publishing 出品的《Tectonics: a building for Earth Sciences at Oxford University》及 Phaidon Press 出品的《10x10_2, 100 ARCHITECTS 10 CRITICS》。她的研究文章則見於 SpringerNature 的《Nexus Network Journal》及《Cubic Journal #4, Design Education — The Role of Technology in Reforming Design Education》等學術期刊。\n\n安娜莉曾於格拉茨工業大學就讀，持有慕尼黑美術學院的德國學士學位，以及英國倫敦大學學院巴特列特建築學院的建築碩士學位，並取得英國威斯敏斯特大學的建築專業實務研究生文憑。她目前於澳洲皇家墨爾本理工大學（RMIT）建築與設計系攻讀博士，並獲全額獎學金。\n\nTobias Klein的作品融合了當代 CAD/CAM 科技與場域及文化特定的設計敘事、直覺式非線性設計過程，以及歷史文化引用。他透過作品與著述提出「數位工藝」的概念，將數位與實體材料及工具作為詩性（Poïesis）與技藝（Technê）的運作綜合，反對數位流程與手作材料理解的傳統二元分隔。\n\n他的作品曾於多個國際場館展出，包括倫敦科學博物館、維多利亞與艾伯特博物館（V&A）、威尼斯建築雙年展、林茲電子藝術節、墨爾本科學畫廊、東京 The Container、美國貝爾維尤藝術博物館、台北當代藝術館、莫斯科博物館、溫哥華博物館以及香港巴塞爾藝術展。2020 年，香港大學美術博物館為他舉辦了回顧展「Metamorphosis or Confrontation」，展出他過去十五年的作品，並出版同名書籍。\n\n陶比亞斯擁有澳洲皇家墨爾本理工大學的博士學位、英國倫敦大學學院巴特列特建築學院的建築碩士及優異建築文憑，以及德國亞琛工業大學的建築學相當於學士的資格。在來港之前，他曾於倫敦的建築聯盟學院及皇家藝術學院主持研究生工作室。",{"en-US":1680,"zh-Hant":1690},{"data":1681,"content":1682,"nodeType":238},{},[1683],{"data":1684,"content":1685,"nodeType":237},{},[1686],{"data":1687,"marks":1688,"value":1689,"nodeType":236},{},[],"Model: matt green aluminium tubes, 3D-printed connectors, one piece of natural limestone and two computer-carved stones, natural pebbles; Device: augmented reality (AR) mobile app of 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fast-changing, densely populated cities, façades serve not only as architectural expressions but also as thresholds between interior and exterior worlds. Noise, one of the elements typically shut out, is often dismissed as pollution—something to be reduced or silenced. But if we begin to read noise instead as an urban symbol, it reveals itself as a living imprint of the city, a way for us to hear its hidden activities and rhythms.",{"data":2683,"content":2684,"nodeType":237},{},[2685],{"data":2686,"marks":2687,"value":2688,"nodeType":236},{},[],"This project proposes a kinetic façade that recycles urban noise into form, light, shadow, and music. Rather than a mute surface, it becomes a façade that listens—one that allows the interior and the city to interfere with and enrich one another in a state of mutual coexistence.",{"data":2690,"content":2691,"nodeType":237},{},[2692],{"data":2693,"marks":2694,"value":2695,"nodeType":236},{},[],"In the exhibition, the façade reacts to urban sounds—traffic, construction, shifting weather—by transforming its geometry and surface structure. These changes cast evolving patterns of light and shadow into the interior. Using real-time generative technologies, these fluctuations are translated into music, animating the space. Passersby, whether walking by, pausing, or interacting, feed into the system and further alter its sonic output. Visitors can experiment by using their voices to trigger dynamic responses at the front of the installation, or by moving their bodies behind it to control the opening and closing of the façade, listening as the “recycled” sounds take shape as music.",{"data":2697,"content":2698,"nodeType":237},{},[2699],{"data":2700,"marks":2701,"value":2702,"nodeType":236},{},[],"The system functions as both sound filter and urban amplifier, transforming the city’s everyday noise into a shared sensory experience. 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Designers familiar with AI often rely on idiosyncratic vocabulary systems, which can lead to creative limitations. \"ArchiPodcastHK\" conducted street interviews to explore the public's imagination of an ideal community, discovering that most expressions tend to be abstract and challenging to translate.",{"data":3674,"content":3675,"nodeType":237},{},[3676],{"data":3677,"marks":3678,"value":3679,"nodeType":236},{},[],"Prompt [Pond]ering invites participants to engage interactively by drawing random keyword combinations, encouraging them to contribute new terms that allow the vocabulary pool to evolve continuously. As architectural design is inherently a dynamic language that transforms concepts into reality through iterative translation, this work explores the design process in the era of human-machine collaboration. It examines how the \"ZOU-MAT\" craftsmanship of creation merges with technology, highlighting the varying degrees of human and technical input while emphasising the interplay between human creativity and technical precision.",{"data":3681,"content":3682,"nodeType":237},{},[3683],{"data":3684,"marks":3685,"value":3686,"nodeType":236},{},[],"The game-like format of this work aims to provoke public reflection on the essence of design, igniting imagination regarding community transformation. By facilitating innovative experimental combinations of prompting keywords and integrating AI-generated imagery, participants gain a more intuitive understanding of how their word choices impact spatial imagination. Furthermore, it encourages a reconsideration of how language guides our spatial perceptions and the evolving roles and potentials of individuals within technology-driven participatory design, fostering collaborative efforts to construct a more representative community.",{"data":3688,"content":3689,"nodeType":238},{},[3690,3697,3704],{"data":3691,"content":3692,"nodeType":237},{},[3693],{"data":3694,"marks":3695,"value":3696,"nodeType":236},{},[],"在以AI工具構想城市空間時，關鍵詞選取決定生成結果的方向與質素。熟悉AI的設計者多依賴自成一格的詞彙系統，這可能造成創意上的侷限。「建築宅男」透過街訪探討公眾對理想社區的想像，發現多數表述傾向抽象而難以轉化。《關鍵[池]》以互動方式邀請參與者抽取隨機詞語組合，並鼓勵他們貢獻新詞，讓詞庫不斷演變。",{"data":3698,"content":3699,"nodeType":237},{},[3700],{"data":3701,"marks":3702,"value":3703,"nodeType":236},{},[],"因建築設計是一種動態語言，透過迭代翻譯演變，將概念轉化為現實。但傳統上，建築師透過草圖來詮釋和精煉想法，進行反覆的循環完善，所以本作品從文字到數位檔案，再到數控加工，深入探討人機協作時代的設計過程，展示「造物」工藝與技術如何融合，突出不同程度的人力和技術投入的流程，強調人類創造力與技術精確度的相互作用。",{"data":3705,"content":3706,"nodeType":237},{},[3707],{"data":3708,"marks":3709,"value":3710,"nodeType":236},{},[],"遊戲形式的作品設計，嘗試引發公眾對設計本質的反思，激發對社區變遷的想像力，並通過參與提供創新的關鍵詞實驗性組合，結合AI生成圖像，讓參與者更直觀理解選詞的影響，重新思考語言如何引導空間想像，以及在技術驅動的參與式設計中大家不斷演變的角色與潛能，促進協作共同建構更具代表性的社區。",{"en-US":3712,"zh-Hant":3729},{"data":3713,"content":3714,"nodeType":238},{},[3715,3722],{"data":3716,"content":3717,"nodeType":237},{},[3718],{"data":3719,"marks":3720,"value":3721,"nodeType":236},{},[],"ArchiPodcastHK\nArchiPodcastHK is a Cantonese-language podcast focused on discussing design, architecture, and lifestyle, aiming to make design thinking more accessible to the general public while catalysing connections among aspiring individuals and promoting community change. The show was co-founded during the pandemic in 2020 by Tidus Shing in Melbourne and Charon Lung in Hong Kong, with episodes broadcast online every two weeks. The podcast actively collaborates with other design entities to promote creativity and explore the value and application of sound and discussion as design methods.",{"data":3723,"content":3724,"nodeType":237},{},[3725],{"data":3726,"marks":3727,"value":3728,"nodeType":236},{},[],"ZOU-MAT\nCharis Mok and Jesse Hao co-founded the design and production studio ZOU-MAT in 2021, dedicated to exploring sustainable design solutions. Charis serves as the architectural director, focusing on the design of large residential projects, campus developments, and commercial buildings, integrating materials and light to create spatial beauty. Jesse, the production director, emphasises practical methods and interdisciplinary collaboration, crafting custom furniture and art installations. Through ZOU-MAT, they continually push the boundaries of design and production, combining cutting-edge technology with environmental awareness to enhance innovation in spatial design.",{"data":3730,"content":3731,"nodeType":238},{},[3732,3739],{"data":3733,"content":3734,"nodeType":237},{},[3735],{"data":3736,"marks":3737,"value":3738,"nodeType":236},{},[],"《建築宅男》\n《建築宅男》是一個專注於廣東話討論設計、建築與生活的Podcast節目，旨在讓設計思維更貼近大眾，並作為連結有志者與推動社區改變的催化平台。節目於2020年疫情期間，由身處墨爾本的泰迪斯和在香港的查龍共同創立，以每兩周一集的形式透過網絡播出。節目積極與其他設計單位合作，推廣創意，並探討聲音與討論在設計方法中的價值與應用。",{"data":3740,"content":3741,"nodeType":237},{},[3742],{"data":3743,"marks":3744,"value":3745,"nodeType":236},{},[],"《造物》\n郝立恆和莫書尉於2021年共同創立了設計與製作工作室「造物」，專注於可持續的設計解決方案。莫書尉擔任建築總監，專注於大型住宅、校園開發及商業大樓的設計，融合材料與光線以創造空間美感。郝立恆則擔任製作總監，注重實踐方法及跨學科合作，打造定制家具和藝術裝置。透過「造物」，他們不斷推動設計與製作的界限，融合尖端技術與環保意識，提升空間設計的創新性。",{"en-US":3747,"zh-Hant":3757},{"data":3748,"content":3749,"nodeType":238},{},[3750],{"data":3751,"content":3752,"nodeType":237},{},[3753],{"data":3754,"marks":3755,"value":3756,"nodeType":236},{},[],"Item 1 - Interactive Installation: plywood, CNC milled wood cover, paper tube, steel frame, fishing line, mechanical fasteners and hardware, display monitor and computer\nItem 2 - Display Monitor (For showing fabrication process) \nSZ Exhibit:\nItem 3 - Prototype of Interlinked Paper Tube Container with CNC Milled Wood Cover (3 nos.)\nItem 4 - Display Monitor (For showing exhibit details) ",{"data":3758,"content":3759,"nodeType":238},{},[3760],{"data":3761,"content":3762,"nodeType":237},{},[3763],{"data":3764,"marks":3765,"value":3766,"nodeType":236},{},[],"組件1 - 互動裝置：膠合板、CNC銑削木蓋、紙管、木材、鋼框架、釣線、機械緊固件及配件、顯示屏幕及電腦\n組件2 - 顯示屏幕（用於展示製作過程）\n深圳部份：\n組件3 - 互聯紙管容器原型，配有CNC銑削木蓋（3 個）\n組件4 - 顯示屏幕（用於展示展品細節）",{"en-US":292},{"en-US":3769},[3770,3784,3798],{"metadata":3771,"sys":3774,"fields":3781},{"tags":3772,"concepts":3773},[],[],{"space":3775,"id":3455,"type":17,"createdAt":3456,"updatedAt":3456,"environment":3777,"publishedVersion":55,"revision":55,"contentType":3779},{"sys":3776},{"type":13,"linkType":14,"id":15},{"sys":3778},{"id":22,"type":13,"linkType":23},{"sys":3780},{"type":13,"linkType":28,"id":308},{"title":3782,"tagId":3783},{"en-US":3463,"zh-Hant":3464},{"en-US":3466},{"metadata":3785,"sys":3788,"fields":3795},{"tags":3786,"concepts":3787},[],[],{"space":3789,"id":322,"type":17,"createdAt":323,"updatedAt":324,"environment":3791,"publishedVersion":327,"revision":82,"contentType":3793},{"sys":3790},{"type":13,"linkType":14,"id":15},{"sys":3792},{"id":22,"type":13,"linkType":23},{"sys":3794},{"type":13,"linkType":28,"id":308},{"title":3796,"tagId":3797},{"en-US":332,"zh-Hant":333},{"en-US":335},{"metadata":3799,"sys":3802,"fields":3809},{"tags":3800,"concepts":3801},[],[],{"space":3803,"id":343,"type":17,"createdAt":344,"updatedAt":344,"environment":3805,"publishedVersion":55,"revision":55,"contentType":3807},{"sys":3804},{"type":13,"linkType":14,"id":15},{"sys":3806},{"id":22,"type":13,"linkType":23},{"sys":3808},{"type":13,"linkType":28,"id":308},{"title":3810,"tagId":3811},{"en-US":351,"zh-Hant":352},{"en-US":354},{"en-US":3813},{"nodeType":238,"data":3814,"content":3815},{},[3816,3833,3850,3867],{"nodeType":237,"data":3817,"content":3818},{},[3819,3822,3830],{"nodeType":236,"value":60,"marks":3820,"data":3821},[],{},{"nodeType":394,"data":3823,"content":3825},{"uri":3824},"https://www.instagram.com/archipodcasthk/",[3826],{"nodeType":236,"value":3827,"marks":3828,"data":3829},"ArchiPodcastHK Instagram",[],{},{"nodeType":236,"value":60,"marks":3831,"data":3832},[],{},{"nodeType":237,"data":3834,"content":3835},{},[3836,3839,3847],{"nodeType":236,"value":60,"marks":3837,"data":3838},[],{},{"nodeType":394,"data":3840,"content":3842},{"uri":3841},"https://www.facebook.com/ArchipodcastHK/",[3843],{"nodeType":236,"value":3844,"marks":3845,"data":3846},"ArchiPodcastHK Facebook",[],{},{"nodeType":236,"value":60,"marks":3848,"data":3849},[],{},{"nodeType":237,"data":3851,"content":3852},{},[3853,3856,3864],{"nodeType":236,"value":60,"marks":3854,"data":3855},[],{},{"nodeType":394,"data":3857,"content":3859},{"uri":3858},"https://www.instagram.com/zou.mat/",[3860],{"nodeType":236,"value":3861,"marks":3862,"data":3863},"ZOU-MAT Instagram",[],{},{"nodeType":236,"value":60,"marks":3865,"data":3866},[],{},{"nodeType":237,"data":3868,"content":3869},{},[3870,3873,3881],{"nodeType":236,"value":60,"marks":3871,"data":3872},[],{},{"nodeType":394,"data":3874,"content":3876},{"uri":3875},"https://www.facebook.com/zou.mat.hk",[3877],{"nodeType":236,"value":3878,"marks":3879,"data":3880},"ZOU-MAT Facebook",[],{},{"nodeType":236,"value":60,"marks":3882,"data":3883},[],{},{"metadata":3885,"sys":3888,"fields":3900},{"tags":3886,"concepts":3887},[],[],{"space":3889,"id":3891,"type":17,"createdAt":3892,"updatedAt":3893,"environment":3894,"publishedVersion":3896,"revision":3897,"contentType":3898},{"sys":3890},{"type":13,"linkType":14,"id":15},"EAxbZN7ngHZmCLF0KM0YY","2025-10-01T23:34:48.026Z","2025-11-12T14:00:25.081Z",{"sys":3895},{"id":22,"type":13,"linkType":23},37,13,{"sys":3899},{"type":13,"linkType":28,"id":29},{"id":3901,"slug":3903,"name":3905,"exhibitorName":3908,"teamMembers":3911,"featuredImage":3914,"portrait":3937,"images":3963,"venue":4013,"venueGroup":4014,"description":4015,"biography":4043,"materials":4054,"geographicData":4065,"tags":4067,"links":4116},{"en-US":3902},"10",{"en-US":3904},"think-big-beyond-image-generation-the-cl0udbr1dge-arturo-tedeschi",{"en-US":3906,"zh-Hant":3907},"Think BIG (Beyond Image Generation) - 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Arturo Tedeschi.jpg",{"en-US":221},{"en-US":223,"zh-Hant":224},{"en-US":4016,"zh-Hant":4033},{"data":4017,"content":4018,"nodeType":238},{},[4019,4026],{"data":4020,"content":4021,"nodeType":237},{},[4022],{"data":4023,"marks":4024,"value":4025,"nodeType":236},{},[],"Could we envision a use of algorithms and artificial intelligence that goes beyond the mere generation of images, one that gives rise to optimized architectural forms while also inspiring a truly visionary approach to design? The answer is a concept consisting of a scale (1:40 circa), 3D-printed prototype that embodies a new vision for bridge design. Traditionally, bridges are conceived within established structural and aesthetic paradigms, often echoing historical typologies and culturally codified forms. Cl0udbr1dge challenges these conventions by introducing a design methodology that is deliberately free from stylistic bias, driven instead by performance, adaptability, and algorithmic emergence.",{"data":4027,"content":4028,"nodeType":237},{},[4029],{"data":4030,"marks":4031,"value":4032,"nodeType":236},{},[],"At the heart of the project is the generation of a spatial grid that evolves around a pedestrian path arbitrarily defined between two points. This grid is not a decorative shell, but a structurally active system capable of distributing and balancing loads in a coherent and efficient way. Its morphology is not predefined, but emerges from the dynamic interplay between design intent, environmental context, and digital logic. The design workflow can be fully algorithmic or enriched through the integration of artificial intelligence, creating a synergy between computational modeling and machine-assisted reasoning. This establishes a new paradigm where human creativity is expanded through digital tools, enabling the exploration of non-dogmatic, context-aware geometries. The project also envisions future construction techniques, such as autonomous drones assembling lightweight, grid-based structures in remote or high-altitude areas, offering faster, safer, and more sustainable solutions.\n",{"data":4034,"content":4035,"nodeType":238},{},[4036],{"data":4037,"content":4038,"nodeType":237},{},[4039],{"data":4040,"marks":4041,"value":4042,"nodeType":236},{},[],"我們能否想像一種運用演算法與人工智能的方式，超越單純生成影像的層面，既能優化建築形態，又能激發真正具前瞻性的設計思維？答案是一個約1:40比例的3D列印橋樑原型，展現橋樑設計的新可能。傳統橋樑往往受制於固定的結構與美學模式，重複歷史類型及文化定勢。Cl0udbr1dge打破慣例，以性能、適應性與演算法生成為導向，摒棄風格化的偏見。其核心是一個環繞行人路徑生成的空間格網，此格網非裝飾性外殼，而是能動的結構系統，具備高效荷載分佈能力。形態並非預設，而由設計意圖、環境語境與數位邏輯互動中自然生成。設計流程可全由演算法完成，亦可結合人工智能以深化，形成運算建模與機器推理的協同效應，建立人類創意與數位工具融合的新範式。項目同時預示未來技術發展，如以自主無人機於偏遠或高海拔地區組裝輕量格網結構，實現更快速、安全與永續的建築方案。",{"en-US":4044},{"data":4045,"content":4046,"nodeType":238},{},[4047],{"data":4048,"content":4049,"nodeType":237},{},[4050],{"data":4051,"marks":4052,"value":4053,"nodeType":236},{},[],"Arturo Tedeschi – Architect/Designer of the cl0udbr1dge\nArturo Tedeschi is an Italian architect and computational designer internationally recognized for a visionary and sculptural approach that merges research, advanced design methods, materials, and fabrication technologies. His work leverages digital tools to blur disciplinary boundaries, emphasizing both semantic and emotional values. Active across architecture, interiors, stage design, automotive, industrial design, jewellery, watches, furniture, fashion, and art installations, Tedeschi has established a versatile and experimental portfolio. He is also the author of AAD Algorithms-Aided Design, considered the global reference on computational design. \n\nConsultants:\nMaurizio Degni is an architect and computational designer specializing in energy and environmental analysis, parametric strategies, and optimization. Since 2010 he has been a key collaborator of Tedeschi, contributing to dozens of projects and building solid expertise in computational design. He lives and works in Milan.\n\nVittorio Paris is Assistant Professor at the Department of Engineering and Applied Sciences, University of Bergamo, coordinating research with the Form Finding Lab at Princeton University. His collaborations include Penn State, Roma Tre, and SOM. His research focuses on masonry structures, augmented reality, and construction automation.\n\nCarlo Olivieri is Assistant Professor of Structural Mechanics at Pegaso University and adjunct at the Polytechnic University of Bari. Formerly at the University of Salerno, he has collaborated with UC Berkeley and Princeton. His research develops optimization strategies for compressive shapes under seismic loads and low-carbon materials. In 2023 he was structural engineer and site manager of the Angelus Novus vault at the Venice Biennale with SOM and Princeton.\n",{"en-US":4055},{"data":4056,"content":4057,"nodeType":238},{},[4058],{"data":4059,"content":4060,"nodeType":237},{},[4061],{"data":4062,"marks":4063,"value":4064,"nodeType":236},{},[],"The bridge model is 3D printed using white resin. The mountains are CNC milled using high-density polystyrene. Complementary scale models (pathways, mockups) are 3D printed using white resin. 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At its core is a cluster of towers generated entirely by machine logic, where datasets, prompts, and fabrication are aligned in a seamless pipeline. Rather than being authored by an individual designer, these towers emerge from a recursive process of training, generating, and materializing—reflecting an aesthetic that belongs as much to algorithms as to architects.\n\nThe Greater Bay Area serves as both backdrop and catalyst. Known for its extreme density, hybrid architectural typologies, and rapidly evolving skylines, it provides a fertile ground to speculate on futures that merge urban identity with machine-driven form-making. Each tower embodies a speculative typology rooted in this region: some emphasize density and vertical layering, others respond to climate and circulation, while others abstract vernacular elements into unfamiliar geometries. 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The project investigates the formation of community through the intertwined realms of digital media and gaming, engaging with questions that transcend geographical boundaries. Commissioned originally by the Singapore Art Museum, it serves as a model for a digital museum—one that invites public interaction through archival functions, user-uploaded multimedia, and the manipulation of digital artworks. It is the prototype of digital museum (museum without wall 2.0), an alternative curatorial framework for digital art archives — one that fosters active participation, collective authorship, and the preservation of intangible cultural narratives. In its original version the game was playable fully online, with each session culminating offline in the creation of downloadable and 3d-printable digital assets. 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It showcases two core projects: a diffusion-based machine learning method for generating 3D architectural forms and an artificial neural network for creating vectorized architectural geometries. Both projects emphasize pragmatic applications of AI in architecture, moving beyond conceptual design to address real-world construction, interactive public experiences, and sustainable development.",{"data":5371,"content":5372,"nodeType":237},{},[5373],{"data":5374,"marks":5375,"value":5376,"nodeType":236},{},[],"Visitors will engage with interactive displays that allow them to input design parameters and witness the AI-generated architectural forms in real time. Demonstrations of robotic fabrication, including 3D printing and material assembly, illustrate how these AI-driven designs can be constructed with precision and efficiency. The exhibit also highlights applications such as urban planning, adaptive public spaces, and sustainable material usage to address global challenges.",{"data":5378,"content":5379,"nodeType":237},{},[5380],{"data":5381,"marks":5382,"value":5383,"nodeType":236},{},[],"By integrating AI into the architectural workflow, this exhibition aims to democratize design tools, foster creativity, and enhance public participation in shaping the built environment. The audience will leave with a deeper appreciation of how technology can serve the public good, advancing architecture into a future of inclusivity, sustainability, and innovation.",{"data":5385,"content":5386,"nodeType":238},{},[5387,5394,5401],{"data":5388,"content":5389,"nodeType":237},{},[5390],{"data":5391,"marks":5392,"value":5393,"nodeType":236},{},[],"本次展覽探討了人工智慧（AI）及尖端技術如何徹底改變建築設計、建造以及公眾參與的方式。展覽展示了兩個核心項目：基於擴散模型的機器學習方法用於生成三維建築形式，以及用於創建向量化建築幾何的人工神經網路。這些項目強調了AI在建築領域中的實用應用，從概念設計邁向實際建造，同時關注互動公眾體驗與永續發展。",{"data":5395,"content":5396,"nodeType":237},{},[5397],{"data":5398,"marks":5399,"value":5400,"nodeType":236},{},[],"觀眾將透過互動展示參與設計過程，他們可以輸入設計參數，即時觀察AI生成的建築形式。此外，展覽還將透過機器人建造演示，包括3D列印和材料組裝，展示這些由AI驅動的設計如何以精確和高效的方式實現建造。展覽也突顯了AI在城市規劃、自適應公共空間和永續材料利用等方面的應用，以應對全球性挑戰。",{"data":5402,"content":5403,"nodeType":237},{},[5404],{"data":5405,"marks":5406,"value":5407,"nodeType":236},{},[],"透過將AI整合到建築設計流程中，本次展覽旨在推廣設計工具的民主化，激發創造力，並增強大眾在塑造建築環境中的參與感。觀眾將深入了解科技如何造福社會，推動建築業邁向更包容、更永續、更創新的未來。",{"en-US":5409,"zh-Hant":5419},{"data":5410,"content":5411,"nodeType":238},{},[5412],{"data":5413,"content":5414,"nodeType":237},{},[5415],{"data":5416,"marks":5417,"value":5418,"nodeType":236},{},[],"Prof. Dr. Hao Zheng currently serves as an Assistant Professor and the Associate Program Leader of the Master of Architecture Program at the Department of Architecture and Civil Engineering, City University of Hong Kong. He is also the director of the Architectural Intelligence Group (AIG). He graduated from the Ph.D. program at the University of Pennsylvania, specializing in machine learning, AI-generated content, data-driven design, and big data analysis. He holds a Master of Architecture degree from the University of California, Berkeley, and Bachelor of Architecture and Arts degrees from Shanghai Jiao Tong University. Previously, Hao worked as a research assistant at Tsinghua University and UC Berkeley with a concentration on robotic assembly, machine learning, and bio-inspired 3D printing. His teaching experience includes: workshop tutor at Tongji University; lecturer at the University of Pennsylvania; teaching fellow at Shanghai Jiao Tong University. Also, Hao serves as the co-organizer and reviewer for international conferences of ACADIA, CAADRIA, CDRF, and more than 30 SCI/SSCI/AHCI journals. His publication includes around 70 papers with more than 20 SCI/SSCI/AHCI journal articles and the cover paper in Advanced Science. In addition, Hao has led development and research projects with a total amount of 750,000 USD, and won multiple research and teaching awards. He has taught more than 30 courses, supervised more than 10 doctoral students, and been invited to give more than 120 speeches at international conferences and academic organizations. He also served as the editor for journals, the member of academic societies, and the expert consultant for listed companies, etc.",{"data":5420,"content":5421,"nodeType":238},{},[5422],{"data":5423,"content":5424,"nodeType":237},{},[5425],{"data":5426,"marks":5427,"value":5428,"nodeType":236},{},[],"鄭豪教授現任香港城市大學建築及土木工程學系助理教授，建築碩士課程副主任，建築智慧研究組主任。他博士畢業於賓州大學（University of Pennsylvania），專攻機器學習，生成式人工智慧，數據驅動設計，大數據分析。他於加州大學柏克萊分校（UC Berkeley）獲得建築碩士學位，並於上海交通大學獲得建築學士及文學學士學位。他總計發表70餘篇學術文章，其中包含20餘篇SCI/SSCI/AHCI期刊文章以及Advanced Science封面文章。另外，鄭豪博士主持開發和研究計畫金額總計超過500萬元人民幣，並獲得多項研究和教學獎。",{"en-US":5430,"zh-Hant":5440},{"data":5431,"content":5432,"nodeType":238},{},[5433],{"data":5434,"content":5435,"nodeType":237},{},[5436],{"data":5437,"marks":5438,"value":5439,"nodeType":236},{},[],"The exhibit is a hybrid of live demonstrations, and conceptual displays, occupying approximately 5 square meters. It consists of: 1) Live Demonstrations: 3D printing stations showcasing how AI-generated designs are fabricated physically. 2) Conceptual Displays: Panels and multimedia projections explaining the underlying technologies (e.g., diffusion models, neural networks) and their applications in sustainable architecture and urban design. 3) Showcase Spaces: Prototype models, material samples, and miniaturized AI-generated structures illustrating real-world applications such as adaptive public spaces and sustainable construction.",{"data":5441,"content":5442,"nodeType":238},{},[5443],{"data":5444,"content":5445,"nodeType":237},{},[5446],{"data":5447,"marks":5448,"value":5449,"nodeType":236},{},[],"展覽是一個結合了現場演示與概念展示的混合式展覽，佔地約5平方米。展覽內容包括：1、現場示範：3D列印站，展示如何將AI生成的設計轉化為實體產品。 2.概念展示：面板與多媒體投影，講解底層技術（如擴散模型、神經網路）及其在永續建築與城市設計的應用。 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Yet, while some have adapted to the city, others remain strays or intruders when their original homeland has radically transformed. In 2021, a baby boar came down from the hills in Quarry Bay and inadvertently boarded a subway train, which sparked fervent public attention but also concerns about the increasingly frequent encounter with boars in the city. Another homeless wildlife did not have a happy ending: a whale died in Sai Kung after wandering in the area for two weeks, whose body was found wounded, suspectedly by sightseeing boats. Hong Kong seen from their eyes is not always a welcoming home, but their stories are as valid as those of any human inhabitant in defining what the city is, and the definition of the city is incomplete until we see through their eyes. To visualize these alternative viewpoints, we created a short film using point cloud scans of the city, featuring the journeys of three protagonists: a boar, a bat, and a whale.",{"data":5692,"content":5693,"nodeType":238},{},[5694,5701],{"data":5695,"content":5696,"nodeType":237},{},[5697],{"data":5698,"marks":5699,"value":5700,"nodeType":236},{},[],"迷途是一個用動物視角呈現的城市短片。",{"data":5702,"content":5703,"nodeType":237},{},[5704],{"data":5705,"marks":5706,"value":5707,"nodeType":236},{},[],"城市是屬於所有生命的居所而非人類自己。然而，當原有栖息地被改造，其他生靈淪卻爲流浪者。2021年，一直野豬幼崽自鰂魚涌下山誤入地鐵車廂並昏睡，激起網絡狂歡的同時也引發對人豬衝突的擔憂。而另一隻野生動物則未能迎來美好結局：一頭鯨魚在近岸游弋數周后死於西貢，尸體上發現有疑似船槳造成的割傷。在它們的眼中，香港也許并非美麗的家園，但它們的故事也需要被看見，它們同樣有權定義這座城市。爲了看到它們眼中的世界，我們製作了一部以野豬、蝙蝠、和鯨魚為主角的點雲短片。",{"en-US":5709,"zh-Hant":5719},{"data":5710,"content":5711,"nodeType":238},{},[5712],{"data":5713,"content":5714,"nodeType":237},{},[5715],{"data":5716,"marks":5717,"value":5718,"nodeType":236},{},[],"The filmmakers come from the Department of Architecture, the University of Hong Kong, whose teaching, research, and practice experiment with emerging digital media to unveil unseen stories of cities. 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University of Hong Kong, LEAD, Augmented Architecture","香港大學, LEAD, Augmented Architecture",{"en-US":6697,"zh-Hant":6721},{"data":6698,"content":6699,"nodeType":238},{},[6700,6707,6714],{"data":6701,"content":6702,"nodeType":237},{},[6703],{"data":6704,"marks":6705,"value":6706,"nodeType":236},{},[],"Explore the pioneering work of Dr. Kristof Crolla and Dr. Garvin Goepel on the integration of digital technology into bamboo architecture. By downloading the augmented reality (AR) app, you can access an immersive experience that allows you witness the physical scale models of their bamboo projects at full scale through holograms made visible directly onto your mobile device.",{"data":6708,"content":6709,"nodeType":237},{},[6710],{"data":6711,"marks":6712,"value":6713,"nodeType":236},{},[],"The exhibition includes seminal projects like the 2015 “ZCB Bamboo Pavilion” in Hong Kong, which celebrated its 10th anniversary; “MemutAR”, a bamboo pavilion created for the Bamboo World Congress in Taiwan in 2024; “Bale Timbang”, a community project built with Hong Kong students for a farming community in Bali, 2025; and the “Bamboo U Dome”, a lecture hall, workshop, and cultural event space at the Bamboo U campus in Bali, 2024. ",{"data":6715,"content":6716,"nodeType":237},{},[6717],{"data":6718,"marks":6719,"value":6720,"nodeType":236},{},[],"These projects utilised innovative computational workflows throughout their design, fabrication, and construction process, including AR- driven holographic instruction methods. This approach offers a far more intuitive and comprehensive alternative to traditional construction drawings, thus simplifying construction, making complex geometries more accessible—the philosophy of \"Building Simplexity.\"",{"data":6722,"content":6723,"nodeType":238},{},[6724,6731,6738],{"data":6725,"content":6726,"nodeType":237},{},[6727],{"data":6728,"marks":6729,"value":6730,"nodeType":236},{},[],"探索克里斯托夫·克羅拉博士（Dr. Kristof Crolla）和加爾文·格佩爾博士（Dr. Garvin Goepel）在數位技術融入竹子建築方面的開創性工作。透過下載擴增實境（AR）應用程序，您可以體驗沉浸式的體驗，直接在您的行動裝置上透過全像影像觀察他們竹子專案的實體模型的全尺寸展示。",{"data":6732,"content":6733,"nodeType":237},{},[6734],{"data":6735,"marks":6736,"value":6737,"nodeType":236},{},[],"展覽包括一些具有里程碑意義的項目，例如2015年在香港的“ZCB竹子展館”，該項目已慶祝其十週年；2024年為台灣竹子世界大會打造的“MemutAR”竹子展館；2025年與香港學生合作為峇裡島一個農場社區建造的“Bale Timbang”社區計畫；以及2024年在峇裡島竹子U校園的“Bamboo U Dome”，一個講座廳、工作坊和文化活動空間。",{"data":6739,"content":6740,"nodeType":237},{},[6741],{"data":6742,"marks":6743,"value":6744,"nodeType":236},{},[],"這些項目在設計、製造和施工過程中採用了創新的計算流程，包括基於AR的全息指導方法。這種方法比傳統的施工圖提供了更直觀、更全面的替代方案，從而簡化了施工過程，使複雜的幾何結構變得更加易於實現——這也是「建造簡單複雜性（Building Simplexity）」的理念。",{"en-US":6746,"zh-Hant":6763},{"data":6747,"content":6748,"nodeType":238},{},[6749,6756],{"data":6750,"content":6751,"nodeType":237},{},[6752],{"data":6753,"marks":6754,"value":6755,"nodeType":236},{},[],"Dr Garvin Goepel specializes in the fields of Augmented Reality (AR) and Artificial Intelligence (AI), focusing on the investigation of collaborative interactions between humans and machines. He combines his practice “Augmented Architecture Ltd.” with his position as Lecturer at the University of Hong Kong (HKU), and co-investigator in the Building Simplexity Lab (BSL). His research advances studies in collaborative holographic-driven construction, expands opportunities for technology-infused craftsmanship, and reflects on workflows that replace conventional drawing-based communication with holographic instruction. His work is published widely and has contributed to award-winning mixed-reality art and architectural projects, such as for the World Architecture Festival Award 2024.",{"data":6757,"content":6758,"nodeType":237},{},[6759],{"data":6760,"marks":6761,"value":6762,"nodeType":236},{},[],"Dr Kristof Crolla is a Belgian architect and founder of Laboratory for Explorative Architecture & Design Ltd. (LEAD). 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Using AI tools, Mixed reality installation, and community experiments, we employ speculative design to prototype and provoke dialogue around which futures are possible, which are plausible, and—most importantly—which are truly preferable.",{"data":8534,"content":8535,"nodeType":237},{},[8536],{"data":8537,"marks":8538,"value":8539,"nodeType":236},{},[],"We are often unaware of the long-term implications of our actions—not only their origins, but also how they will shape what is to come. This exhibit represents one such inquiry. Through dialogues with homeless individuals in Tung Chau Street Park, residents near the Kowloon Funeral Home, and shop owners in Foo Tai Shopping Centre, we ground our designs in the perspectives of stakeholders. By integrating AI tools, mixed reality installations, and community engagement experiments, we use speculative design to create prototypes and invite every visitor to join the public discourse. The process generates real-time community data, offering insights for those who care about the neighborhood. Through multiple media, the exhibition guides you in exploring how imagination, technology, and collective vision can collectively reshape the everyday spaces of Tai Kok Tsui—translating ideals of a better world into tangible dialogue and action.",{"data":8541,"content":8542,"nodeType":238},{},[8543,8550,8557],{"data":8544,"content":8545,"nodeType":237},{},[8546],{"data":8547,"marks":8548,"value":8549,"nodeType":236},{},[],"未來的大角咀會是什麼模樣？",{"data":8551,"content":8552,"nodeType":237},{},[8553],{"data":8554,"marks":8555,"value":8556,"nodeType":236},{},[],"本展品邀請您共同凝視多重未來圖景－我們摒棄單一預設的路徑，轉而藉助「未來錐」框架，展開一場充滿可能性的思辨探索。",{"data":8558,"content":8559,"nodeType":237},{},[8560,8564],{"data":8561,"marks":8562,"value":8563,"nodeType":236},{},[],"我",{"data":8565,"marks":8566,"value":8567,"nodeType":236},{},[],"們常常難以察覺，自身的每一個行動將如何長遠地塑造我們所處的社區與世界。此刻，我們比以往任何時候都更需要追問：在諸多可能的未來中，哪些才真正值得我們去追求？本展覽正是這樣一次探索。透過對話通州街公園的流浪漢、九龍殯儀館周圍的居民，富多來商場的商戶，我們將設計立足於skateholders的視角，透過結合AI工具、Mixed Reality裝置與社區參與實驗，我們以思辨設計建立原型，邀請每位觀眾加入公共對話。最終形成即時更新的社群數據，為更多的關心人士提供知識。多元媒介將引導您深入探索想像力、科技與集體願景如何共同重塑大角咀的日常空間，將美好世界的構想轉化為具體的對話與實踐。",{"en-US":8569,"zh-Hant":8586},{"data":8570,"content":8571,"nodeType":238},{},[8572,8579],{"data":8573,"content":8574,"nodeType":237},{},[8575],{"data":8576,"marks":8577,"value":8578,"nodeType":236},{},[],"Dr Lo’s research explores spatial ‘phygital’ interaction and the relationships between virtual and physical spaces, through transdisciplinary methods that combine design, virtual reality technologies, gamification and digital tools. His research emphasizes multi-level sharing and collaboration from basic data to deep intelligence using Mixed Realty technologies to enhance interaction, knowledge transfer and foster innovation in the design process.  ",{"data":8580,"content":8581,"nodeType":237},{},[8582],{"data":8583,"marks":8584,"value":8585,"nodeType":236},{},[],"Yuting Chen is a cross-disciplinary designer and PhD researcher at The Hong Kong Polytechnic University, operating at the intersection of immersive media, spatial narrative, and human-computer interaction.   She develops exhibitions that investigates various exhibition frameworks: such as the curatorial authorship–audience agency spectrum and applies them through projects like the Phygital Meta-Archive(2024) and Evolutionary Space Global Exhibition series: Finding Solace(2024).",{"data":8587,"content":8588,"nodeType":238},{},[8589,8596],{"data":8590,"content":8591,"nodeType":237},{},[8592],{"data":8593,"marks":8594,"value":8595,"nodeType":236},{},[],"盧添添博士的研究透過融合設計、虛擬實境技術、遊戲化與數位工具的跨​​學科方法，探索空間\"實體-數位\"互動以及虛擬與現實空間的關係。其研究強調利用混合實境技術實現從基礎資料到深度智慧的多層次共享與協作，以增強設計過程中的互動體驗、知識傳遞與創新活力。他借助物聯網與虛擬視覺化技術推動多個互動領域的發展，為未來混合式互動體驗開闢可能性，並推進人機虛擬互動（HVRI）研究進程。其作品《遊戲化回收系統》與《擴展現實竹構計畫》正是本研究的實務成果。",{"data":8597,"content":8598,"nodeType":237},{},[8599],{"data":8600,"marks":8601,"value":8602,"nodeType":236},{},[],"盧博士於2022加入香港理工大學擔任助理教授。他曾為DigitalFuture、CCD-ASC及POLAR舉辦過多場工作坊，並發表大量關於跨領域研究與互動設計的論文。同時他在多個國際組織擔任領導職務，包括亞洲電腦輔助建築設計研究協會（CAADRIA）、歐洲電腦輔助建築設計教育會議（eCAADe）、WORLD16以及世界電腦輔助建築設計博士聯盟（World CAAD PhD）。",{"en-US":8604,"zh-Hant":8614},{"data":8605,"content":8606,"nodeType":238},{},[8607],{"data":8608,"content":8609,"nodeType":237},{},[8610],{"data":8611,"marks":8612,"value":8613,"nodeType":236},{},[],"Video, Interactive Screen, Meta Quest 3, Acrylic Model, Paper Book",{"data":8615,"content":8616,"nodeType":238},{},[8617],{"data":8618,"content":8619,"nodeType":237},{},[8620],{"data":8621,"marks":8622,"value":8623,"nodeType":236},{},[],"視頻，多媒體互動螢幕，Meta Quest 3，壓克力模型，紙本書籍",{"en-US":292},{"en-US":8626},[8627,8641,8655],{"metadata":8628,"sys":8631,"fields":8638},{"tags":8629,"concepts":8630},[],[],{"space":8632,"id":8216,"type":17,"createdAt":8217,"updatedAt":8217,"environment":8634,"publishedVersion":55,"revision":55,"contentType":8636},{"sys":8633},{"type":13,"linkType":14,"id":15},{"sys":8635},{"id":22,"type":13,"linkType":23},{"sys":8637},{"type":13,"linkType":28,"id":308},{"title":8639,"tagId":8640},{"en-US":8224,"zh-Hant":8225},{"en-US":8227},{"metadata":8642,"sys":8645,"fields":8652},{"tags":8643,"concepts":8644},[],[],{"space":8646,"id":7241,"type":17,"createdAt":7242,"updatedAt":7242,"environment":8648,"publishedVersion":55,"revision":55,"contentType":8650},{"sys":8647},{"type":13,"linkType":14,"id":15},{"sys":8649},{"id":22,"type":13,"linkType":23},{"sys":8651},{"type":13,"linkType":28,"id":308},{"title":8653,"tagId":8654},{"en-US":7249,"zh-Hant":7250},{"en-US":7252},{"metadata":8656,"sys":8659,"fields":8668},{"tags":8657,"concepts":8658},[],[],{"space":8660,"id":8662,"type":17,"createdAt":8663,"updatedAt":8663,"environment":8664,"publishedVersion":55,"revision":55,"contentType":8666},{"sys":8661},{"type":13,"linkType":14,"id":15},"4YS8OpdOgPo3t4ZTIaFPng","2025-10-17T14:53:34.373Z",{"sys":8665},{"id":22,"type":13,"linkType":23},{"sys":8667},{"type":13,"linkType":28,"id":308},{"title":8669,"tagId":8672},{"en-US":8670,"zh-Hant":8671},"Public as Analysts","公眾作為分析師",{"en-US":8673},"public-as-analysts",{"en-US":8675,"zh-Hant":8692},{"data":8676,"content":8677,"nodeType":238},{},[8678,8685],{"data":8679,"content":8680,"nodeType":237},{},[8681],{"data":8682,"marks":8683,"value":8684,"nodeType":236},{},[],"This exhibit draws on research and data generated by the 'RE: Tai Kok Tsui' Future Imagineer Academy (FIA) programme. The FIA is a collaboration between the Active Ageing Lab, the CUHK Faculty of Architecture, the PolyU School of Design, and the EdUHK Department of Social Sciences and Policy Studies, bringing together over 100 students from fields such as urban studies, social design, digital design, and geography.\nThe 'RE: Tai Kok Tsui' project is funded and initiated under the “Urban Renewal Heritage Preservation and District Revitalisation Funding Scheme”.",{"data":8686,"content":8687,"nodeType":237},{},[8688],{"data":8689,"marks":8690,"value":8691,"nodeType":236},{},[],"Project Manager and Coordinator: Sky T.T Lo \nExhibition Curation and Design: Yuting Chen\nUnity development: Hanzhe Bao\nHardware design and 3D printing support: Rafique Usman Khalid\nCultural mapping: Artem Nikitin\nPhysical model making: Artem Nikitin, Yuting Chen\nExhibition Graphic Design: Lu Lusa Yue\nAl system development: Yuhan Xiao, Jiaming Chen, Jinge Ma, Changqian Yuan (powered by TheMistoAI LLC)\nVideo technical support: Yao Chen, Danni Xu\nExhibition setup: Hanzhe Bao, Rafique Usman Khalid, Artem Nikitin\nCommunity based Research: Lok Man Norman Ng, Hoi Ho Ian Cheung, Mei Wai Maris Lam, Ngai Man Lee, Lok Hei Reece Lee, Yan Laam Mok, Tsz Hei Huang, Tak Cheung Leung, Hei Wang Pak\nPartners of FIA: Kar Him Mo, The Chinese University of Hong Kong; T.T. Sky Lo, The Hong Kong Polytechnic University ; Yi lzzy Jian, The Education University of Hong Kong; Norah Wang, The Hong Kong Polytechnic University",{"data":8693,"content":8694,"nodeType":238},{},[8695],{"data":8696,"content":8697,"nodeType":237},{},[8698],{"data":8699,"marks":8700,"value":8701,"nodeType":236},{},[],"項目管理與統籌：盧添添\n展覽策劃與設計：陳禹廷\nUnity開發：鲍瀚哲\n硬件設計及3D打印支持：Rafique Usman Khalid\n文化映射：Artem Nikitin\n實體模型製作：Artem Nikitin、陳禹廷\n展覽平面設計：岳麓\nAI系統開發：陳家明、肖宇晗、馬金格、袁唱乾（技術支持：TheMistoAI LLC）\n視頻技術指導: 陳瑤, 徐丹妮\n布展技術團隊：鲍瀚哲、Rafique Usman Khalid、Artem Nikitin\nFIA合作夥伴：毛家謙（香港中文大學）；盧添添（香港理工大學）；簡禕（香港教育大學）；王筱璐（香港理工大學）",{"en-US":8703},{"nodeType":238,"data":8704,"content":8705},{},[8706,8723],{"nodeType":237,"data":8707,"content":8708},{},[8709,8712,8720],{"nodeType":236,"value":60,"marks":8710,"data":8711},[],{},{"nodeType":394,"data":8713,"content":8715},{"uri":8714},"https://www.instagram.com/skyduoltt/",[8716],{"nodeType":236,"value":8717,"marks":8718,"data":8719},"Sky Lo Instagram",[],{},{"nodeType":236,"value":60,"marks":8721,"data":8722},[],{},{"nodeType":237,"data":8724,"content":8725},{},[8726,8729,8737],{"nodeType":236,"value":60,"marks":8727,"data":8728},[],{},{"nodeType":394,"data":8730,"content":8732},{"uri":8731},"https://www.instagram.com/yuting.chenn/",[8733],{"nodeType":236,"value":8734,"marks":8735,"data":8736},"Yuting Chen Instagram",[],{},{"nodeType":236,"value":60,"marks":8738,"data":8739},[],{},{"metadata":8741,"sys":8744,"fields":8755},{"tags":8742,"concepts":8743},[],[],{"space":8745,"id":8747,"type":17,"createdAt":8748,"updatedAt":8749,"environment":8750,"publishedVersion":8752,"revision":2143,"contentType":8753},{"sys":8746},{"type":13,"linkType":14,"id":15},"2ZOrR8MGgFIwhXYGVN4VZ0","2025-10-01T23:20:03.147Z","2025-11-12T12:17:32.535Z",{"sys":8751},{"id":22,"type":13,"linkType":23},54,{"sys":8754},{"type":13,"linkType":28,"id":29},{"id":8756,"slug":8758,"name":8760,"exhibitorName":8763,"teamMembers":8766,"featuredImage":8769,"portrait":8791,"images":8816,"venue":8875,"venueGroup":8876,"organizationName":8877,"description":8878,"biography":8899,"sponsorsHelpers":8920,"materials":8921,"geographicData":8942,"tags":8944,"links":8988},{"en-US":8757},"28",{"en-US":8759},"does-ai-dream-urban-projection-streetsignhk",{"en-US":8761,"zh-Hant":8762},"Does AI dream","AI會發夢嗎",{"en-US":8764,"zh-Hant":8765},"Urban Projection, Streetsignhk","營城計畫，街招",{"en-US":8767,"zh-Hant":8768},"Ken Fung\nKevin Mak\nJieyi Zhang\nJunxiang Zhang\nXiaoxu Zhao","馮達煒\n麥憬淮\n張潔儀\n張駿翔\n趙曉旭",{"en-US":8770},{"metadata":8771,"sys":8774,"fields":8781},{"tags":8772,"concepts":8773},[],[],{"space":8775,"id":8777,"type":50,"createdAt":8778,"updatedAt":8778,"environment":8779,"publishedVersion":82,"revision":55},{"sys":8776},{"type":13,"linkType":14,"id":15},"6VR9lxwHlmTyscSg81KCrN","2025-11-03T14:00:50.016Z",{"sys":8780},{"id":22,"type":13,"linkType":23},{"title":8782,"file":8784},{"en-US":8783},"28 Does AI dream 03",{"en-US":8785},{"url":8786,"details":8787,"fileName":8790,"contentType":469},"//images.ctfassets.net/ej0em68f9nkh/6VR9lxwHlmTyscSg81KCrN/c4ec7b186ab3ad4d08d6ce1c77a30732/28_Does_AI_dream_03.png",{"size":8788,"image":8789},6928401,{"width":1815,"height":4221},"28_Does AI dream_03.png",{"en-US":8792},{"metadata":8793,"sys":8796,"fields":8803},{"tags":8794,"concepts":8795},[],[],{"space":8797,"id":8799,"type":50,"createdAt":8800,"updatedAt":8800,"environment":8801,"publishedVersion":82,"revision":55},{"sys":8798},{"type":13,"linkType":14,"id":15},"4PRGH6Mz7cmpq7QyZ6ajis","2025-10-09T12:04:20.294Z",{"sys":8802},{"id":22,"type":13,"linkType":23},{"title":8804,"description":8806,"file":8808},{"en-US":8805},"DOESAIDREAM_URBANPROJECTION PORTRAIT - 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Many non-rational, randomly occurring, intuitively inspired spaces in cities are often more vivid. This kind of elusive distortion, like a dream, is the opposite of rational thinking. So, for AI, which is core to logical reasoning, we can't help but ask: Does AI dream? However, faced with an increasingly AI-driven environment in the future (including architecture and urbanism), human creativity seems to be becoming more rational, losing its \"human touch.\" The question posed to AI is a boomerang that returns to us: Do you still dream?",{"data":8890,"content":8891,"nodeType":238},{},[8892],{"data":8893,"content":8894,"nodeType":237},{},[8895],{"data":8896,"marks":8897,"value":8898,"nodeType":236},{},[],"AI將越來越多地參與到城市空間的生產過程，而空間和城市的復雜性和某些邊界情況往往不能僅靠理性來判斷。城市中許多非理性的、偶然發生的、直覺引發的空間往往更為生動活潑。這種如同夢境般捉摸不定的扭曲如同理性思維的對立面。那麼對於以邏輯推理為核心的AI，我們不禁想問：AI會發夢嗎？但在面對未來越來越多AIGC的環境（包括建築與城市），人的創作似乎已經越來越理性，越來越沒“人味”。前面問AI的問題，如同回旋鏢一樣回到我們身上：你還會發夢嗎？",{"en-US":8900,"zh-Hant":8910},{"data":8901,"content":8902,"nodeType":238},{},[8903],{"data":8904,"content":8905,"nodeType":237},{},[8906],{"data":8907,"marks":8908,"value":8909,"nodeType":236},{},[],"The exhibit is co-created by the URBAN PROJECTION and STREETSIGNHK. URBAN PROJECTION is a Hong Kong-based workgroup founded by Junxiang Zhang and Xiaoxu Zhao, which explores the gap between humanity and the built environment. Moving beyond traditional spatial design, the group focuses on the intangible aspects of life—perception, consciousness, and the unseen forces that shape our reality. Through text, image, and space, URBAN PROJECTION aims to reconstruct a new understanding of our relationship with the world around us. @streetsignhk is named after ‘signboard-streetscape’, the unique vibrant cityscape created by layers of signboards in the streets of Hong Kong, @streetsignhk was founded in Oct 2017 by two architects Kevin Mak and Ken Fung. @streetsignhk promotes signboard-streetscape as urban cultural heritage by exploring in-depth signboard stories of Hong Kong & building regulations, conserving existing signboards that face demolition and promoting a sustainable signboard culture through design practice.",{"data":8911,"content":8912,"nodeType":238},{},[8913],{"data":8914,"content":8915,"nodeType":237},{},[8916],{"data":8917,"marks":8918,"value":8919,"nodeType":236},{},[],"展覽作品為營城計畫和「街招」團隊共同創作。營城計畫是一個關注人文與建成環境空間的工作小組，由張駿翔和趙曉旭在香港發起。營城計畫跳脫出純粹的物質空間建構，而關注到其間的生命、無形的感知和意識，並透過文字、圖像、空間來重構現實。「街招」@streetsignhk 取名自「招」牌「街」景，指香港密集式招牌形成獨特的繁華街道氛圍。「街招」由兩位建築師Ken Fung及Kevin 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