Afterlife Economics

Description

Ancestral offerings, burned as gifts for the afterlife, have evolved from simple joss paper money into elaborate replicas of cars, luxury goods, and real estate. Purchased in ritual shops and online marketplaces, these paper objects reflect how the afterlife has become entangled with the consumer desires and material ambitions of the living world—constructing a parallel city built from devotion and aspiration.

Afterlife Economics is an installation work exploring how this alternate city can be reimagined through cycles of handcraft, digital production, and AI interpretation. A circular chamber clad in shimmering foil-paper shingles—echoing traditional ritual objects—encloses projected visions of reimagined urbanism. Through an iterative process that moves between physical making, digital tools, and computational processing, an archive of paper offerings is continuously transformed. The installation generates a speculative metropolis—a city that exists in the space between human ritual, material craft, and machine imagination.

Biography

Our collaborative team bridges Hong Kong and Melbourne, bringing together architects, designers, researchers, and artists.

Vicky Lam is an educator at RMIT Architecture with experience in Melbourne, San Francisco, and New York. A Harvard GSD graduate, her work focuses on inclusive cultural production and civic infrastructure.

Melbourne-based artist Rel Pham, whose work has been exhibited at the Melbourne Triennale 2023. Known for vibrant colours and surreal explorations, Pham draws on old world fables to explore the interconnected nature of our physical and digital realities through video, animation, and installation.

Julian Wong, a Hong Kong-based architect, brings practice experience from Sydney, Hong Kong, and New York.

Silje Howard, an architect and exhibition designer at M+, has delivered major exhibitions including works by Yasumasa Morimura and Robert Rauschenberg.

Lauren Garner is an architect and researcher who founded G-AP, a practice engaging with complex public projects, heritage frameworks, and civic outcomes.

Oscar Jacobs and Oscar Chaplin are emerging designers completing their Master of Architecture at RMIT. Together, this collaboration investigates the relationship between built and digital environments, exploring how contemporary urban life is shaped by material and immaterial systems.

Materials

Foil
Paper
Cloth curtain
Mesh curtain
Velcro
Metal curtain rail
Projector
Bamboo

Organisation

RMIT University, School of Architecture & Urban Design

Sponsor

RMIT University, School of Architecture & Urban Design

Acknowledgments

RMIT University, School of Architecture & Urban Design

Links

View All Exhibits

2025
HONG KONG & SHENZHEN
BI-CITY BIENNALE OF
URBANISM\ARCHITECTURE
(HONG KONG):
TECHFORMANCE

2025
港深城市\
建築雙城雙年展
(香港):
建科盛典

UABB Logo

27.11.
2025
-
24.01.
2026

免费入場
Free Admission

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Organisations

Disclaimer: The Cultural and Creative Industries Development Agency of the Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.

免責聲明:香港特別行政區政府文創產業發展處僅為本項目提供資助,除此之外並無參與項目。在本刊物/活動內(或由項目小組成員)表達的任何意見、研究成果、結論或建議,均不代表香港特別行政區政府、文化體育及旅遊局、文創產業發展處、「創意智優計劃」秘書處或「創意智優計劃」審核委員會的觀點。

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