Sanctum in the AI Age: Redefining the Human-Deities Nexus in Urban Future

Description

The exhibit presents comprehensive data on Hong Kong’s informal shrines, gathered through field research that documents their spontaneous emergence in urban crevices like alleyways and high-rise gaps. This data is then analyzed using AI tools, to extract and compare key components. We deconstruct the shrines’ elements—material (e.g., recycled wood and plastic), cultural (e.g., deity icons and offerings), and spatial (e.g., compact layouts)—across diverse scenarios, from under-staircase nooks to rooftop ledges, etc. This comparative process reveals significant architectural compromises necessitated by urban density, spatial constraints, and informal status. These community-driven religious spaces demonstrate remarkable adaptability in maintaining spiritual functions while abandoning traditional temple design principles. Key adaptations include vertical spatial organization to maximize limited footprints, material simplification for affordability and portability, infrastructure sharing with surrounding urban elements like shared lighting or drainage, and terrain-responsive distribution that conforms to Hong Kong’s hilly topography and high-rise fabric.

The team collects participants' choices through workshops, allowing the AI to generate individualized shrine designs tailored to their choices. These bespoke visions, blending tradition with futuristic urbanity, are showcased through dynamic 3D projections on the central physical model, fostering a participatory dialogue on spirituality’s resilience in hyper-dense environments.

Biography

Jessica Pui Sze Kong, co-founder of Afloat Studio, a Hong Kong architectural practice focused on innovative designs that explore the “in-between” spatial quality through blurred boundaries and tangled spatial experiences. Passionate about pushing creative limits, she has gained international and local awards, including First Prize in the 57th Central Glass International Architectural Design Competition, Second Prize in the 18th Shelter International Architectural Competition for Students, and First Prize in the 2014 Kai Tak River Design Ideas Competition (Open Group). Her work, showcased in the “Harmony in Diversity” (KL–NJ–HK Roving Architecture Exhibition), reflects her commitment to impactful, diverse design.

Nam Wu is an architect and photographer who uses these dual identities to explore the spaces we inhabit and the lives unfolding in between. As an architect, his work focuses on public buildings, including performance venues, sports facilities, and welfare institutions. As a photographer, he specializes in architectural photography and investigates the urban dynamics that shape city life. His work has been exhibited in “Harmony in Diversity – Connecting the Metropolis by In-Between” (KL–NJ–HK Roving Architecture Exhibition) and the Hong Kong Pavilion at the Venice Biennale 2025. He was awarded an Honorable Mention in the Young Architect Award 2022.

Materials

Powder-coated Steel Frame Structure in Black Color
Model Base in Black Color
3d-printed model
Clear acrylic panels with engraved/ printed graphics

Organisation

Afloat Studio, Point Cloud Studio

Links

View All Exhibits

2025
HONG KONG & SHENZHEN
BI-CITY BIENNALE OF
URBANISM\ARCHITECTURE
(HONG KONG):
TECHFORMANCE

2025
港深城市\
建築雙城雙年展
(香港):
建科盛典

UABB Logo

27.11.
2025
-
24.01.
2026

免费入場
Free Admission

Instagram Facebook

Organisations

2025 Hong Kong & Shenzhen Bi-city Biennale of Urbanism\Architecture (Hong Kong)'s Disclaimer: The Cultural and Creative Industries Development Agency of the Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.

2025港深城市\建築雙城雙年展(香港)的免責聲明:香港特別行政區政府文創產業發展處僅為本項目提供資助,除此之外並無參與項目。在本刊物/活動內(或由項目小組成員)表達的任何意見、研究成果、結論或建議,均不代表香港特別行政區政府、文化體育及旅遊局、文創產業發展處、「創意智優計劃」秘書處或「創意智優計劃」審核委員會的觀點。